Cicada Season Gothic
Step outside,
the unbearable
buzzing
again
and
again
and again.
“It’s cicada season again,”
my father says to me.
“From the Delta
to Biloxi,
the rolling hills and
rotting buildings
come alive
with the chatter of
those detestable insects.”
My feet on the
blood soaked ground
of Jackson,
waves of ear-splitting sound
crashing against the feet
of Confederate sympathies
in the Capitol.
I wonder if the cicadas
sang their terrible song
in 1864-
A cacophony of violence,
set to their annual
sadistic symphony.
The cicadas sing
in the cotton fields,
in the bayous,
and in the creationist
science classrooms.
I feel the buzzing
echoing in the grinding
of my teeth
as the missus in front of the board
tells us that
the Earth is ten thousand years old.
She says the cicadas sang
to Adam and Eve.
Fumbling and awkward,
stained with Lipsmackers
and glitter-
the cicadas sing
as I kiss a girl
for the first time.
In the woods behind
the abandoned gas station,
we take our refuge
from violent eyes
as her father
sends twelve missed calls.
Sticky with humidity
and shame,
we let the humming song
cover small gasps
and whispered promises.
Hissing and popping,
my gramma
fries thinly sliced
cajun sausage.
“Good chil’run who
help with them dishes
get extra jambalaya,”
she croons in her
thick and comforting drawl.
The door creaks open,
the cry of the cicadas
falling inside
with my grandfather-
beer-stench thick around him.
A sharp slap,
and gramma is slumped over the counter.
The hissing and popping
from her sausage
and the cicadas
filling the small kitchen.
All the trouble in my life
is trailed by that
buzzing.
I know God isn’t loving or real,
‘cause if he was
he wouldn’t have made cicadas.
oGYGIA
Somewhere out there
in the cerulean expanse-
hidden in the domain
of Amphitrite,
lies an island of
sparkling white quartz sand,
dotted with iridescent-interior
pink shells.
There are no people here,
no struggles of power and politics.
No taxes,
or the greedy men
who collect them.
The island
is lush with riotously
colored blooms,
and vines that creep
over the bones of
all who have tried
to conquer her.
I wonder if
the island would accept us
as non-humans,
if she would take us in
as the spray of salt
in the maritime wind,
or the sheen
of an animal eye.
I wonder if here,
there is space for you and me,
eschewing humanity
to find a place
that fits
for us and
no one else.
Kayleigh Tabor
Kayleigh Tabor is a sophomore at the University of Southern Mississippi studying English with a concentration in creative writing. Her work has previously been featured in the volume “Simulacra” published by BarBar, and she has more upcoming publications. Her poetry grapples with themes of addiction, religious trauma, and growing up queer in the South. In her free time, she can be found procrastinating on homework, reading fantasy novels, or cuddling one of her seven cats.