the Wake


A woman nudges a snakeskin,
its head burst cleanly through.
She knows it steals between cypress knees
under the boardwalk,
where one can wander
and contemplate decay
and watch a pair of turtles
huddle atop a slumping limb,
one propped against his fellow.
This is how the turtles watch
when the woman nudges a pebble
off the boardwalk into the bayou.

When she leans over the railing,
nothing human returns. To step off the pier
in a single motion would be immediate.
Beyond the spitting horseflies, an airboat
shakes the cattails. Scientists whisk
through open waters: businesslike,
baring underwater graves.

A turtle wobbles into the water. Its wake slows
before it can reach the tourist, who recedes
with an unconscious release of the rail.

White Alligator Narrates Hurricane Katrina


The glass-tapping has been missing for some time now,
and so has the chum. I blithely eat my tank-mates:
the sauger and a young bass.

The not-sun has dimmed and the tank-water has settled
like mud. I roll back eyelid after eyelid to see
how it thickens, tarlike.

I cannot hear my tank-mates heave their gills
around me. The surface of our almost-lake
rises, pulls us toward the opaque not-sky.

A smaller not-sun went out too, submerged
in souring water. I rest my claws on the log, cold,
another tank-mate’s body bumping my snout.


Audrey Hall.JPG

Audrey Hall

Audrey Hall is a poet and recent graduate from the University of Florida's MFA program. She has poems published with Crab Creek Review, Poetry South, and Hunger Mountain and forthcoming in Alaska Quarterly Review and Saw Palm. She currently lives in her home state of Mississippi, where she writes about cottonmouths and eats cheesecake.